jon jack

The most recent addition to the Yamaha line of classical trumpets is the artist series. These are truly exceptional trumpets. Yamaha recently hired Bob Malone to design their trumpets, and he has totally revolutionized the line. These horns are some of the best available today.



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Yamaha later brought out the Xeno line of trumpets which is still made. Their model number is the 8335S. These are quite comparable to Bach trumpets. Yamaha is also considerably more consistent in their manufacturing processes. Yamaha trumpets pretty much all play the same.



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Since Bach was the predominant trumpet on the market, many companies produced trumpets that shared many of the same features. Yamaha started things with their Heavywall series...the 6335HS. The large bore version was the 6345HS. The "H" is very important in that designation. They also produced 6335 trumpets of totally different styles that did not use the "H" in the model number. These trumpets played more like a Bach, than any other trumpet up to that time, but it still did not have the Bach sound that most people liked in the classical world.



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The end result of everything...the Bach trumpets made now are as good as they have been in many years, and many people think they are even better. I played on several trumpets at a convention recently, and they played better than any Bach I have played in years. I would not hesitate to recommend them right now. Bach trumpets have always played much different from horn to horn. In the past, you might get a good one, or you might get a great one. You seldom saw a bad one. A friend of mine remarked recently that even though the current crop of Bach trumpets all still play differently, they are all great horns. That is a definite positive change.



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Today, the Bach is still the dominant instrument, but it has had its setbacks. The Bach strike a few years ago had a major impact in the Bach reputation. The strike lasted for a couple years, and many horror stories were told about poor quality trumpets being made after the strike. Also, the price increased substantially after the strike ended.



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For years, the Bach Stradivarius Trumpet has been the mainstay of the performing trumpet world. Sure, there were other trumpets out there, and in the Jazz world, many of them were very successful. In the classical world, the Bach reigned supreme for many years.



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Bill Chase led one of the more famous trumpet sections in the 1960s with the Woody Herman orchestra. Known for his high range, Bill Chase provided the high note excitement for the band. In 1974, Chase met an untimely death in a plane crash near a small airport in Minnesota, Among the most famous trumpet sections of all time might have been in the Duke Ellington Orchestra. Cootie Williams and Cat Anderson filled soloist and high note roles, respectively, for Duke's band for many years. Duke often wrote entire compositions to feature Cootie (Concerto for Cootie) on trumpet.



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Trumpet players and big band trumpet sections can be found throughout the history of jazz. Maynard Ferguson, for example, made his debut with the Stan Kenton Orchestra during the 1950s. Maynard played lead trumpet and was featured as a high note virtuoso at a young age. He later went on to lead his own big and small bands for more than half a century. High note artists such as Stan Mark and Lynn Nicholson were members of famous Maynard Ferguson trumpet sections.



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Modern trumpeters today are expected to own and carry a variety of mutes to alter the sound of the instrument. In every trumpeter's bag are a straight mute, a cup mute, a harmon mute and plunger. Each of these "tools" are designed to alter the color and sound of the instrument by bringing out low (cup and plunger) or high (straight and harmon) overtones. The use of mutes can significantly alter the overall sound of the section with a wide variety of colors. Gil Evans was one famous arranger that used muted trumpets extensively in his arrangements and compositions.



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In traditional big band repertoire, the trumpet section provides both melodic and harmonic roles. Melodies can be played by one or up to all four players at one time. Melodic roles are often coupled with instruments of similar timbre, such as the alto saxophone. As a melodic instrument, the trumpet is generally in the middle range when matched with other instruments. The upper register is used for full ensemble sections where the lead player must carry the melody over the rest of the band.



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